HOW TO EASILY GET THERE: https://www.instagram.com/reel/Cxf2cWVrvld/?utm_source=ig_web_copy_link&igshid=MzRlODBiNWFlZA==
RAIN OR SHINE. NO REFUNDS
FRI, SEP 29 (DOORS 4PM / SHOW 5PM)
SAT, SEP 30 (DOORS 1PM / SHOW 1PM)
-ARTIKAL SOUND SYSTEM
VIP - $400 for 2 Day Pass
- VIP Passes provide you access to all the perks of General Admission (GA) plus:
Expedited front gate entry
- VIP only front of stage access. The pit is in the front of the stage and is sectioned off by barricades. Want to see the artists up close and personal
- Viewing areas within the private gated VIP community and an additional elevated platform adjacent to the main stage
- Enjoy the festival with easy access to VIP only bathroom facilities
- Private shaded cabana area with lounge seating
- VIP Bar featuring signature craft cocktails, an expanded beer and wine menu
- On-site VIP event staff to assist you throughout your festival experience
Ticket includes $5 Facility Maintenance fee on top of face value.
“It’s the hardest thing we’ve ever done as a band to make this record,” says guitarist/vocalist Kaleo Wassman of Pepper, in speaking on the recording process of their new self-titled album. “It speaks loudly and widely to a broader audience while maintaining everything good about the band, which, first of all, is our positive attitude.” After releasing five albums, Pepper has opened a new chapter in their storied career. Drummer Yesod Williams adds, “This record feels very cohesive in a way our past releases maybe didn’t. I think it’s an album that can appeal to everyone, as well. We’ve been pigeonholed in the past so this is an opportunity to transcend all that and spread our wings even wider.”
The trio, who formed in 1997 and moved to the mainland from their hometown of Kailua Kona, Hawaii in 1999, pressed pause after the release of their fifth album, Pink Crustaceans and Good Vibrations, in 2008. There was a sense of fatigue and disunity amongst the three musicians, who took some time off from music both apart and together before rejoining to create an EP, Stiches, in late 2010. The songs on that release re-energized the group, revealing an urgent desire to make a new album that reflected where they are in their lives and career now. After some tour dates in support of the EP, Pepper sat down and focused on their sixth album, a self-titled released that swings open the door on this new chapter.
The musicians went into the studio with Matt Wallace, a producer known for his work with Maroon 5, O.A.R. and Faith No More, in early 2012. Matt helped focus the group’s vision and expand their musical knowledge base, an experience the band members compare to being in their own version of college. The album was recorded in various studios over the course of a year, honing in on Pepper’s re-defined self-identity and how that focus was reflected in the songs.
“We learned so much,” Yesod says. “Matt help us really focus on the art of songwriting. He sat in the room with the three of us with a fine-tooth comb and went over every word, every melody, every sound. He showed us that it’s important what you do play as well as what you don’t play, creating both spaces in the songs. We learned how powerful simplicity can be. Plus, we had such a good time recording this album and I think that shows.”
The resulting album, self-titled to accentuate where the band feels they are presently, broadens Pepper’s style, veering into new sonic territory while still retaining all the fun elements that make the band so beloved by their fans. The ever-present sense of life surges through the tracks, bolstering the sense of optimism throughout. The party anthems, the beach hang melodies, and the boisterous rhythms are all there, each song carefully crafted to best express these sunny moments by the ocean.
“This album is basically 12 snapshots of where we are,” vocalist/bassist Bret Bollinger says. “There are songs that will remind you of your favorite Pepper songs, but by the end you’ll hear some unexpected things. You’ll realize that the songwriting is so much more refined. And there’s laughter in the background of the songs. That’s how good the vibe is on the record.”
Pepper has toured extensively with groups like 311, Slightly Stoopid, Flogging Molly and Sublime With Rome, and spent several summers on Warped Tour – and this live sensibility shows. You can almost feel the sand in your toes and the sun on your back as the album progresses, the musician’s amiable personalities palpable beneath the island rhythms and mellow tones. The band’s music – both live and on their releases – is really about enjoying life and being grateful for each experience, a sensibility that’s very familiar to the three musicians currently in their career. From their 1999 debut Give’n It to their 2006 standout album No Shame, which was recorded with 311’s Nick Hexum, No Doubt’s Tony Kanal and Butthole Surfers’ Paul Leary, Pepper has embodied not only a style of music but a lifestyle, one that’s most easily found on beaches across the world, but also one that’s relatable to anyone anywhere.
Released via their own label LAW Records, their universal appeal has led their music being placed in various movies and TV shows, including Forgetting Sarah Marshall and Good Luck Chuck, as well as several video game soundtracks. The band’s story to date has been a prolific one. But as Pepper turns the page into a fresh chapter with this new album, it’s clear that the band’s passion for music and life will continue on for years to come.
“We’re so blessed to be in this position,” Kaleo says. “We want to do the best we can with it. We had humble beginnings in our small town in Hawaii and we’re still that same humble band. We don’t take any of this lightly. Every day I wake up and think about how I have the best job in the world. The level of gratitude and happiness I have that we’re able to do this is incredible and I hope people can hear that when they listen to our new songs.”
Hirie–the frontwoman of the exhilarating reggae band HIRIE–grew up a global citizen. Her father worked for the United Nations and she was born in the Philippines, spent years in Italy, before her family settled in Hawaii, which became her spiritual home.
Wandering Soul’s lush construct reflects this depth. The songs feature chord sequences that have a sophisticated, tension and release accessibility. The musicianship is high-level restraint, showcasing that point of mature virtuosity where laying back implies instrumental prowess. The album’s trippy production—the bulk of it courtesy of Danny Kalb (Beck, Ben Harper, Sia)—replete with adventurous textured passages, heady dub segues, and subtle psychedelic flourishes, make it a rare headphone experience for a pop-oriented record.
San Diego’s seven-piece band HIRIE is ready to offer a global spiritual uplift. Melding the balmy island touches of its singer’s beloved home—as symbolized by its moniker’s first letter, an “H” for “Hawaii,” with that feeling of irie, the award-winning group offers a soundtrack of hope. Now, with its masterful most recent album, Wandering Soul (2016), brimming with invigorating female-fronted shamanistic reggae an oasis of positivity is just an album away.
The album opens with the smoldering and ambitious title track—a sonic journey through heartfelt longing, and heady dub passages. The militant “Renegade” features Nahko Bear of Nahko and Medicine For The People and boasts stately horns, simmering grooves, and call-to-arms individuality against the massification of culture. The personal “Melody of a Broken Heart” and “You Won’t Be Alone” shine a light on personal domestic struggles. “I wrote ‘You Won’t Be Alone’ for my daughter with the hopes that she understands my life when she hears me on the radio. I hope she understands how much I love her and how I can be a role model by showing her she can be anything she wants,” Hirie confides. The sleek futuristic electronic textures of “Boom Fire” represents HIRIE’s party vibe and exudes vivaciousness of in-the-moment HIRIE living.
Hirie is currently working on her third full-length album due out in 2018.
Reflecting on the power of HIRIE, Hirie shares this story: “I met a fan who was suffering from of six tumors. He shared with me ‘Your music is the reason I get out of bed, you’re my medicine.’ That drives me to push this movement forward to share conscious music. I feel a responsibility and a duty to share a positive message.”
Kevin Bong, aka ‘KBONG’ is a multi-instrumental artist who is well known for his “key” role in reggae band Stick Figure.
Touring with the group since 2012, KBong has solidified his place as one of the top keyboard players in today’s current Reggae scene. On August 24 2018 KBong released his second studio album ‘Easy To Love You,’ produced by Johnny Cosmic and featuring Scott Woodruff (Stick Figure), The Movement, Raging Fyah, and the aforementioned Cosmic.
Bong’s easy going approach to music shows itself in the project. As Bong says, “Music is an expression of ourselves; it’s an art form. Whether you’re playing for one person or a thousand, music soothes the soul.”
Through his music, KBong hopes to inspire others to approach life with a positive mindset and maybe even pick up instruments themselves: “I encourage people to play music no matter what age! It’s never too late.” KBong’s first studio album ‘Hopes and Dreams’ came out in 2014 and featured him as the primary song writer.
The summer anthem “Livin Easy” featured Scott Woodruff and the rest of Stick Figure. Other collaborations on the album included singer/songwriter Hirie, producer Johnny Cosmic and producer Alific.
In Bong’s music you can hear a mix of catchy acoustic guitar riffs and surf vibes, as well as influences ranging from reggae to hip hop. Regardless of the influences, once you hear his style you’ll be hooked because it’s fresh and pleasing to the ears. You can check out KBong’s new album now on all digital platforms and at kbongmusic.com, where you can also find his upcoming solo tour dates!